![]() With Ozz, all I do is worry about going in and playing my ass off, then call it a day. With Black Label, I’ve got a hand in everything, down to album artwork, production, everything. You’ve just got your own place now, ya’ know?īetween Ozzy’s band and Black Label, I’ve got a nice variety of things to do. Just because you don’t live at home doesn’t mean you don’t go visit on the holidays. And just because I’m not playing with them all the time doesn’t mean we’re not together. Ozzy and Sharon are like parents to me – he’s the godfather of my first boy. Safe to say you’ll always work together in some fashion? Vintage Guitar: You and Ozzy have recorded some of his best work, and you share a deep-rooted relationship. before rolling to Japan, Europe, then back to the States. A versatile player who can stomp a mudhole in the ass of many a musical style, Wylde’s work with Ozzy and his own band, Black Label Society, is sprinkled with acoustic blues, country, and other stylistic dalliances he says foretell his musical future.īlack Label Society this month begins touring behind its brand new album, Mafia, a requisite punch in the nose courtesy of Wylde and two tons of guitar tones. In fact, were it not for Wylde and a very small handful of other guitarists, heavy metal may have been altogether unplugged.Īnd he’s no one-trick pony. And why should he? With the help of heavy metal icon (and latter-day reality TV star) Ozzy Osbourne, a great deal of chemistry, and 1991’s No More Tears album, Wylde and his trademark bullseye-finish Gibson Les Paul were a vital force in moving heavy metal out of its late-’80s stagnation and giving it a pulse in the grunge heyday of the early ’90s. ![]() An unassuming, tell-it-like-it-is guy, he makes no apologies for being the beer-swilling, English-language-brutalizing, boot-and-leather-wearing, Les Paul-and-Marshall-jacking Jersey-boy badass of hard rock. ![]() With Zakk Wylde, what you see is very much what you get.
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