4/29/2024 0 Comments Alfred hitchcock presents mariaIn the last part of the music, the mourners scurry and catch up with the procession just in time as the marchers make it to the “house.” The music ends with a flourish.Īlthough you can play the Dulcimer-1 part (DAC tuning) as a solo piece, the music is written as a duet for two dulcimer players. ![]() The music changes to the D major key which has a more harmonious sound. During the march, some of the mourners stop off at an inn (or bar) for “refreshments” and the tone becomes upbeat and jovial. It is a somber march played in the D minor key. The music tells the story of a marionette puppet who was killed in a duel (played with a dramatic roll of the piano at the beginning of the tune). ![]() The “Suite Burlesque” was never completed and “Funeral March” was published as a stand alone piece. Later, in 1876, Gounod made an orchestral arrangement of the piece. The piece was initially written as a solo piece for piano. The work was renamed to the “Funeral March of a Marionette” with the help of his greatly amused English patron, Georgina Weldon. However the music critic died and Gounod did not have a chance to dedicate the piece to him. It was a intended to be a satirical character parody of the music critic, Henry Chorley, for whom Gounod did not care. He wrote “Funeral March of a Marionette” as part of a suite for piano called “Suite Burlesque” while living in London 1872. It is a great tune with a twist in my arrangement!Ĭharles-François Gounod (1818 -1893) was a French composer best known for Ave Maria, based on a work by Bach, as well as his opera Faust. Wonder if I could arrange and play this piano suite on the mountain dulcimer? The tune is a duet, so find a playing partner and give it a try. The tune is played in a minor key giving an eerie feeling which is quite fitting for Halloween. I recently participated in the Nutmeg Dulcimer Festival, an on-line dulcimer festival, and took a hammered dulcimer workshop where I learned a great staccato bass line for this tune. It is a piano suite written in 1872 by a French composer and tells the story of a marionette puppet who died tragically in a duel. The tune was the theme music for the “Alfred Hitchcock’s Presents” television shows in the 1950’s. Pavan also made a few appearances on American TV, notably as Margot Frank in the 1967 ABC version of "The Diary of Anne Frank." She also appeared in the miniseries "Arthur Hailey's 'The Moneychangers'" (NBC, 1976) and "The Trial of Lee Harvey Oswald" (ABC, 1977).You may not recognize the title of this tune, “Funeral March of a Marionette,” but I bet you will know the music when you hear it. ![]() She made a handful of other appearances, notably as one of the subjects of the documentary "Stelle Emigranti/Wandering Stars" (1983) and alongside her husband Jean-Pierre Aumont in "Johnny Monroe" (1987). Now a mature beauty, Pavan returned to the screen in a small role in the French farce "L'Evenment le plus important depuis que l'homme a marche sur la lune/A Slightly Pregnant Man" (1973). After appearing opposite Tony Curtis in the taut mystery "The Midnight Story" (1957) and two more costume epics, "John Paul Jones" and "Solomon and Sheba" (1959), the actress retired from the big screen for more than a decade. In Nunnally Johnson's "The Man in the Grey Flannel Suit" (1956), Pavan brought warmth and believability to her role as the war-time love of Gregory Peck. She held her own in the costume epic "Diane" (also 1955), in which she competed with Lana Turner for the affections of Roger Moore. Pavan won a Golden Globe Award and earned an Oscar nomination for her performance as the sensitive teenaged daughter of the formidable Anna Magnani in "The Rose Tattoo" (1955). The attractive, Italian-born brunette made her motion picture debut in John Ford's 1952 remake of "What Price Glory?," playing a sweet village girl, and followed as a doomed Native American in love with Indian fighter Alan Ladd in Delmar Daves' "Drum Beat" (1954). The twin sister of actress Pier Angeli, Marisa Pavan was generally cast in gentle roles during her brief career as a leading lady of 1950s films.
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